New Choral Music for 2025-2026

New Emily Crocker Publications


So glad to enjoy another year of friends and music! And happy that I've had a creative year of composing and arranging. Thankful to all my *helpers* who edit, engrave, record, publish and promote my music! (You know who you are!) And especially Jack, who provides hours of entertainment during periods of writer's block! 

Africa

(TB and piano, Hal Leonard)
This one started out as self-published, but Hal Leonard has taken it into their catalog. There are lots of popular arrangements of this Toto hit, but no TB voicing. This one is easy and fun for middle school and up, with a high (cambiata) tenor part. CLICK HERE


Down in the Valley 

(TB, with piano an opt. harmonica or other obbligato instrument, Shawnee Press)
I've always loved this song, and grateful that Greg Gilpin found a place for it in the Shawnee Press choral catalog. Crafted to be in the vocal sweet spot for range and tessitura, this nostalgic American folk song is arranged for beginning to intermediate level TB choirs. The work offers opportunities for developing phrasing and dynamic contrast and includes an optional obbligato for harmonica, violin or other instrument, adding a plaintive quality to this treasured melody. CLICK HERE



Exsultate Justi

(2-Part, with piano, Hal Leonard)
I always try to supply a contest type piece for younger choirs, so they can develop those important vocal and harmonic skills needed for a strong choral foundation. This vigorous setting includes two Latin phrases alternating with English text from Psalm 32. A strong rhythmic drive along with layered harmonies and careful attention to ranges and voice leading provide an accessible introduction into concert/festival repertoire for beginning ensembles. 



I Am a Part of the World

(2-Part and 3-Part Mixed, with piano, Heritage Music Press)
I'm always happy to collaborate with John Jacobson, and together we offer this vibrant song of unity for young choirs. The lyrics emphasize that we are shaped by the experiences we've had, the places we've been, and the people who surround us. With a light pop feel and catchy melody, this piece is perfect for choirs seeking an energetic, feel-good addition to their repertoire.



I'll Tell Me Ma

(TTB a cappella, Hal Leonard)
This octavo is extracted from A CELTIC COLLECTION compiled by me and John Leavitt for TB choirs in high school and up. This one, with its setting, and fun-to-sing lyric and optional body percussion, will be an excellent choice for a light concert moment!



The Miracle of Hanukkah

(2-Part and 3-Part Mixed, with piano, Hal Leonard)
This is an older title from Jenson days, but now with an additional 2-Part voicing. Combinable melodies make this an accessible selection that's ideal for holiday concerts, especially when time is short. Good ranges and each part has a chance to shine!



Peace Carol (with "Dona Nobis Pacem")

(2-Part with Descant, piano and flute, Hal Leonard)
Young singers build important harmony skills through canons, partner melodies and ostinati. This selection lets you carry that through to your concert programs with this arrangement of the well-loved "Dona Nobis Pacem." Easily adapted to any combination of voices.


Sail Away (with "The Water Is Wide")

(2-Part with piano, Hal Leonard)
Younger and developing choirs can build important choral skills with this partner style arrangement of the beloved Scottish folk song, “The Water Is Wide,” paired with an original song that perfectly complements the gently flowing style of the folk melody.



Shady Grove

(SAB, SSA or 2-Part, with violin and piano, EC Schirmer)
Shady Grove is a traditional Appalachian folk song believed to have originated in Eastern Kentucky in the early 20th century. In this uptempo arrangement, the music is propelled by the piano which imitates the sound of a string band, while the violin obbligato is of equal importance to the accessible vocals. 


Winter Eve

(SSA with piano, EC Schirmer)
“Winter Eve” takes its text from the poem “Good Hours” by Robert Frost. where he describes a solitary evening walk through a small village in winter. There is a clear contrast between the narrator’s isolation and the company of those within the cottages along the way. This musical setting reflects the expository nature of the text, with mostly homophonic texture. An excellent secular selection for winter concerts.



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