Emily Crocker New Choral Update 2026
It's been another journey through a year of composing and arranging for me and a REWARDING trip it has been. I am branching out into different styles, different genres and different publishers. If you normally think of me as a composer for elementary and middle school, don't worry, you'll still see several works for this age group.
However, I have stretched a bit creatively with music for SSA at the high school level and up, including some new pieces in my reflections on famous artworks.
Thanks to all my collaborators, editors, engravers, producers, publishers and friends who perform my compositions.
Hope you have a great year of choosing repertoire. Do not hesitate to reach out if you are looking for something specific or have questions. Contact me at my website.
Scroll down to view 2-Part, SSA, TB and Mixed selections. Click on the links for more information, to purchase or to listen/view ScorePlay videos. And as a reminder, the most complete way to explore all Emily Crocker music is to visit Emily Crocker Music
CHORAL MUSIC FOR 2-PART
DEFYING GRAVITY (from Wicked)
Stephen Schwartz/arr. Emily Crocker | 2-Part with piano
The Act I finale from the musical “Wicked” is one of the key moments of the show and this well-crafted setting captures all the appeal while providing plenty of support for younger and developing choirs. Audiences and singers will enjoy this powerful setting!
DOWN IN THE VALLEY TWO BY TWO
arr. Emily Crocker | 2-Part with piano
This bright and upbeat game song celebrates the joy of play and movement. Ranges are limited and the vocal lines are easily learned. Bluesy piano accompaniment and body percussion provide additional spirit for the performance!
HERE, NOW, AND ALWAYS
Emily Crocker | 2-Part, piano and percussion | text by John Jacobson
"Here, Now, and Always" by Emily Crocker and John Jacobson is an upbeat, light, and energetic piece for two-part treble choir with optional percussion. Centered on saying goodbye while celebrating an enduring friendship, it looks ahead to a bright future and reminds singers that distance and time can’t diminish the bonds they share. Uplifting and spirited, it’s a wonderful choice for end-of-year performances, or any moment that calls for joy and connection.
THE IRISH BLESSING
By Joyce Eilers/arr. Emily Crocker | 2-Part a cappella or accompanied
The moving setting of the traditional "May the road rise to meet you" lyric by Joyce Eilers is now available for 2-Part a cappella or optional accompanied. It makes a beautiful closing number or benediction for Treble choirs from high school and up.
PAY ME MY MONEY DOWN
arr. Emily Crocker | Unison/2-Part and piano
This folksong from the Georgia Sea Islands has an easy reggae feel. The song's accessible melodies and rhythms are easy to learn and perform with beginning choirs. Optional percussion ostinati add another layer of fun to this charming piece.
RAPACIÑO DE MI VIDA
Spanish Villancico/arr. Emily Crocker | 2-Part with piano and flute
“Rapaciño de mi Vida” is a traditional Spanish villancico from the Galician region of the Iberian Peninsula, bordering Portugal and Spain. This arrangement features both Spanish and English text with a call to see the Little One in Bethlehem. The refrain incorporates a repetitive series of vocal sounds, “tu-ri-u-ri-u,” giving it a flute-like quality.
SAIL AWAY (WITH THE WATER IS WIDE)
Emily Crocker | 2-Part with piano
Younger and developing choirs can build important choral skills with this partner style arrangement of the beloved Scottish folk song, “The Water Is Wide,” paired with an original song that perfectly complements the gently flowing style of the folk melody.
CHORAL MUSIC FOR SSA
A CAPPELLA SONGS FOR SSA CHORUS (Collection)
This collection of songs and arrangements of folk tunes provides an excellent source of a cappella contest literature for the developing choir. Quality texts, careful attention to range and tessitura, along with thoughtful limits on melodic and harmonic complexity make these settings an ideal choice. Click on song title for ScorePlay video:
HOLD ON
Traditional spiritual/arr. Emily Crocker | SSA, piano, percussionEnjoy this arrangement of the spiritual that became a powerful affirmation during America's Civil Rights era of the 1950s and 1960s. Based on the traditional song, “Gospel Plow,” it's also known as “Hold On,” “Keep Your Hand on the Plow,” and other variants. Easily learned, the supportive piano accompaniment and percussion part give it a contemporary drive, along with opportunities to feature soloists.
THE IRISH BLESSING
By Joyce Eilers/arr. Emily Crocker | SSA a cappella
The moving setting of the traditional "May the road rise to meet you" lyric by Joyce Eilers is now available for SSA a cappella or optional accompanied. It makes a beautiful closing number or benediction for Treble choirs from high school and up.
A JUBILANT PSALM
Emily Crocker | SSA with piano
Opening with a spirited piano introduction, the voices take off with power and jubilance. Rhythmic vitality, meter changes and vocal brilliance make this piece an effective concert opener/closer.
SO MANY STARS
Alan Bergman, Marilyn Bergman & Sérgio Mendes/arr. Emily Crocker | SSA with piano or rhythm section
Float into a night sky of sound with this dream-like, jazz-infused arrangement of Brasil 66 "So Many Stars." This arrangement shimmers with velvety jazz textures, gentle swing, and a sense of wonder that will captivate singers and audience alike.
SOFTLY SHE WALKS
Emily Crocker | SSA with piano | text by John Jacobson
Can there be a more alluring painting than Claude Monet’s Woman With a Parasol? Could there be another that tells a story with such elegance and charm? This evocative work for SSA voices offers a musical reflection on this magnificent work of art that allows singers and audiences discover meaningful connections and to expand their imaginations on art and humanity.
WAITING (GIRL WITH A PEARL EARRING)
Emily Crocker | SSA with piano | text by John Jacobson
This colorful work is inspired by the famous 1665 painting by the Dutch artist Johannes Vermeer. Exploring themes of innocence and sadness, this accessible work will resonate with SSA singers at the high school level, who also search for purpose, direction and fulfillment in their lives.
CHORAL MUSIC FOR TB/TTB
HOLD ON
Traditional spiritual/arr. Emily Crocker | TB, piano, percussion
Enjoy this arrangement of the spiritual that became a powerful affirmation during America's Civil Rights era of the 1950s and 1960s. Based on the traditional song, “Gospel Plow,” it's also known as “Hold On,” “Keep Your Hand on the Plow,” and other variants. Easily learned, the supportive piano accompaniment and percussion part give it a contemporary drive, along with opportunities to feature soloists.
THE IRISH BLESSING
By Joyce Eilers/arr. Emily Crocker | TTBB a cappella
The moving setting of the traditional "May the road rise to meet you" lyric by Joyce Eilers is now available for TTBB a cappella. It makes a beautiful closing number or benediction for Tenor/Bass choirs from high school and up.
UBI CARITAS
Emily Crocker | TB with piano
Latin phrases in this setting of “Ubi Caritas” form the poetic framework for this accessible concert work for younger tenor-bass choirs. Limited ranges on each part and well-crafted choral textures provide the opportunity to explore expressive singing and unified tone. An ideal choice for developing choirs!
CHORAL MUSIC FOR 3-PART MIXED, SAB, SATB
DEFYING GRAVITY (FROM WICKED)
Stephen Schwartz/arr. Emily Crocker | 3-Part Mixed with piano
The Act I finale from the musical “Wicked” is one of the key moments of the show and this well-crafted setting captures all the appeal while providing plenty of support for younger and developing choirs. Audiences and singers will enjoy this powerful setting!
DOWN IN THE VALLEY TWO BY TWO
arr. Emily Crocker | 3-Part Mixed with piano
This bright and upbeat game song celebrates the joy of play and movement. Ranges are limited and the vocal lines are easily learned. Bluesy piano accompaniment and body percussion provide additional spirit for the performance!
FIRE AND ICE
Emily Crocker | SAB with piano
This poem by Robert Frost reflects on the end of the world, musing whether it might be consumed in fire or ice, and comparing the two elements with the emotions of desire and hate. The composer's music vividly captures the contrast of these elements and allows the singers to dramatically portray that struggle.
HERE, NOW, AND ALWAYS
Emily Crocker | 3-Part Mixed, piano and percussion | text by John Jacobson
"Here, Now, and Always" by Emily Crocker and John Jacobson is an upbeat, light, and energetic piece for 3-Part Mixed voices with optional percussion. Centered on saying goodbye while celebrating an enduring friendship, it looks ahead to a bright future and reminds singers that distance and time can’t diminish the bonds they share. Uplifting and spirited, it’s a wonderful choice for end-of-year performances, or any moment that calls for joy and connection.
HOLD ON
Traditional spiritual/arr. Emily Crocker | SAB, piano, percussion
Enjoy this arrangement of the spiritual that became a powerful affirmation during America's Civil Rights era of the 1950s and 1960s. Based on the traditional song, “Gospel Plow,” it's also known as “Hold On,” “Keep Your Hand on the Plow,” and other variants. Easily learned, the supportive piano accompaniment and percussion part give it a contemporary drive, along with opportunities to feature soloists.
RAPACIÑO DE ME VIDA
Spanish Villancico/arr. Emily Crocker | 3-Part Mixed with piano and flute
“Rapaciño de mi Vida” is a traditional Spanish villancico from the Galician region of the Iberian Peninsula, bordering Portugal and Spain. This arrangement features both Spanish and English text with a call to see the Little One in Bethlehem. The refrain incorporates a repetitive series of vocal sounds, “tu-ri-u-ri-u,” giving it a flute-like quality.
SO MANY STARS
Alan Bergman, Marilyn Bergman & Sérgio Mendes/arr. Emily Crocker | SATB with piano or rhythm section
Float into a night sky of sound with this dream-like, jazz-infused arrangement of "So Many Stars" by Brasil 66. This arrangement shimmers with velvety jazz textures, gentle swing, and a sense of wonder that will captivate singers and audience alike.
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